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Tv Review : The Walking Dead – season 2 episode 12 ‘Better Angels’

13 Mar

This review contains spoilers.

2.12 Better Angels

How do you solve a problem like Randall? If you’re The Walking Dead crew, then it’s simple. You save his life, beat the crap out of him, torture him, almost kill him, bring him back to the farm, then tie him down and nearly kill him again.

But yeah, Randall is a problem, and Rick and Shane are at odds about how to solve said problem. Shane, as is Shane’s wont, is going to solve this problem one way or another.

As you saw last week, poor beloved Dale is now on the other side of the grave, thanks to the very same walker that Carl freed from the swamp bog. The conscience and the group’s counterpoint to Shane is now gone (thanks to a very impressive zombie gutting scene and a bullet to the head from good old Daryl), but the zombie strike has scared the group straight. They’re wandering the farm, they’re checking fences, they’re killing groups of roamers who get too close… it seems as though the frying pan of Hershel’s farm is getting a little hotter. The group is getting nervous, and Shane is growing increasingly more volatile.

Although, from the way more walkers seem to be finding their way to the farm, the volatile situation is only going to get worse for all involved. Then again, when you’ve got an action man like Shane hanging around, situations tend to get resolved even when nobody’s ready for that to happen.

Evan T. Reilly and Glenn Mazzara should just write the whole show next season, if only because they’re the only two writers on the staff at the moment who seem to be able to handle scenes needing gravity and reasonable dialog exchanges. There’s serious exchanges handled well, some intentional comedy, some more of Lori being evil and manipulative, and some shocking, sudden violence. Some moments didn’t work at all, such as the father/son talk between Rick and Carl in which Rick gives the most depressing pep talk ever before handing his preteen, obviously-upset son, a loaded weapon.

Other moments worked very well. For example, the scene at the RV. There was a nice bonding moment there between Andrea, Glenn, and Dale’s old RV. Considering they were the two characters closest to Dale, this is very appropriate. Glenn’s reaction is very understated, but also very moving. I also like some of the more subtle changes that have happened with characters in the past few episodes, such as Hershel taking Rick’s people in as actual working members of the farm and the fact that T-Dog both gets jobs to do and lines in the same episode! I think this episode is the most action T-Dog has gotten since the first season of the show.

Strangely, I really like T-Dog as a character, if only because he’s the only one who doesn’t give long-winded speeches at the drop of a hat. When he speaks, it’s always funny. It’s also rare, and I think that since he’s been something of a cypher due to the growing group, he’s also one of the few characters who doesn’t have any baggage and can be used freely in season three and beyond. Or maybe he’ll just continue to function as comic relief when he’s not smashing zombies with a mallet.

Some credit also goes to director Guy Ferland as well, for putting both the emotional Rick/Carl and the emotional Glenn/Andrea scenes back to back. While the musical cues were uncharacteristically heavy-handed, the acting actually was a bit muted. It helped keep things from going too far over the top, and the emotional sweetness was a good counterpoint to some of the brutality on display, both to the skull of the walker in the opening and at the very end of the episode.

Speaking of endings, only one episode of The Walking Dead remains for season two, and it’s shaping up to be a big one. A lot of the loose ends behind the scenes have been squared away, and it looks as though there will be a clean slate and a new set of locations for season three given the way the previews for next week look to be shaping up.

That’s right, guys; the walkers are a threat again. More importantly, so are the other surviving humans. Season three looks to have more drama and more conflict, but who will survive the season finale to be there for it?

Rating : 9/10

source :denofgeek.com
by: Ron Hogan

Live Action Akira Put On Hold For Downscaling

8 Jan

Budget needs to be slashed by another $20-30 million, allegedly

The Hollywood Reporter is claiming that pre-production in Vancouver on the American live action version of Akira has shut down, pending yet another rethink on the the budget.

The project, which has been plagued with problems and setbacks over the past couple of years, now faces yet another budget cut, with Warners apparently hoping that director can shave another $20-30 million off the $90 million budget. Akira has already suffered from a previous drastic downscaling: when Albert Hughes was set to direct, the proposed budget was allegedly a massive $160 million. Looks like Warners have serious doubt about the film’s pulling power – both in terms of audience and attracting star names. So far only Tron: Legacy’s Garrett Hedlund is officially attached, and he’s hardly a big box office draw.

Akira has gone through various rewrites, with Harry Potter’s Steve Kloves the lates person to tackle the script, following versions by Mark Fergus, Hawk Ostby and Gary Whitta. Looks like somebody will have to be brought in to perform another streamlining operation.

THE EXPENDABLES 2 Trailer

15 Dec

Tv Review : The Clone Wars – season 4 episode 10 ‘Carnage Of Krell’

1 Dec

This review contains spoilers.

4.10 Carnage Of Krell

This incredibly shocking finale brings the excellent Umbaran arc to an end. And the surprises began quickly too, as the “defective” Clones (the words of Jedi Master General Pong Krell) are sentenced to death.

Krell has been a figure of hate in these past few episodes, and here he firmly takes centre stage as he orders the execution of Fives and Jesse – the soldiers who bravely saved the day last week. As the defiant couple is lined up, still wisecracking, there’s a real sense of doom followed by a gasp as the shots are fired. Lead by the rule-obsessed, Jedi-following Clone, Dogma, it’s nasty, with a deeply unpleasant tone.

But, without spoiling it for you, all does not go to plan.

The unnerving atmosphere is exacerbated in a horrific scene featuring Rex and his Clones as they are instructed to hunt down some Umbarans (who we never really get to see up close throughout this whole arc, incidentally). But there’s a problem – the enemy have acquired some Clone uniforms. And again, without spoiling it for you, all is not what it seems.

General Krell has been portrayed as a villain during the Umbaran story and, rather surprisingly, he is simply that. The Jedi is confronted by “his” men in a moment recalling Palpatine’s treason scene in Revenge Of The Sith. It is then his true motives are revealed.

The idea of a Jedi gone “bad” shouldn’t really be so shocking, as the whole Star Wars saga is about Darth Vader, but it still seems wrong to see a Jedi admit that the Dark Side is the “better” of the two.

There’s more, however. If fallen Jedi aren’t enough for you, the coda asks another question – or rather the Clones ask it. What happens to them after the war is over? What purpose do they serve then? And whom do they serve?

Carnage Of Krell is a wonderfully thoughtful end to an arc which brought the Clones, and the issues contained therein to the fore, along with the notions of what it means to be a Jedi; what it means to have free thought and what it means to do what your moral compass guides you to.

The Clone Wars, yet again, demonstrates that power of the show lies in the moral complexities it can address.

Rating : 8/10

source:denofgeek.com
by:Cameron K McEwan

‘Grimm’ picked up for full season by NBC

22 Nov


© NBC Universal

Grimm has been picked up for a full season.

NBC announced on Monday (November 21) that the fairytale thriller had received a full season order, after averaging nearly 7 million viewers since premiering in late October.

“We are very pleased to be making a full-season commitment for Grimm,” NBC Chairman Robert Greenblatt said in a statement.

“This series is turning the traditional procedural drama on its head and is attracting a loyal following for us on Friday nights,” he continued. “We love where it’s going creatively and we’re excited to deliver more episodes to our audience.”

Last week, the network ordered two additional scripts for the paranormal drama, which stars David Giuntoli as homicide detective Nick Burkhardt.

Silas Weir Mitchell, who plays a werewolf named Monroe on the NBC series, recently described the show as the anti-Twilight.

Grimm airs on Fridays at 9pm on NBC in the US and will air on Watch in the UK in early 2012.

Kristen Stewart Offered Akira Role?

16 Nov

She may be Kei

She’s usually found getting all moody over vampire beau Edward in the Twilight films, but Kristen Stewart has been establishing herself elsewhere with a mix of indie movies and the upcoming Snow White And The Huntsman. Now Warners thinks she might just be right for the cast of Akira, sending out an offer for her to play Kei.

The long-gestating film finds bike gang leader Kaneda (Garrett Hedlund, provided he too locks down a deal) dealing with what happens when his best friend Tetsuo is the subject of a government experiment – one that threatens to unlock the lad’s frightening psychic potential and may end up destroying an entire city.

Stewart is being courted to play Kei, a young medium who falls for Kaneda. If she does end up joining the cast, she may appear alongside Helena Bonham Carter and Gary Oldman, who are also in talks. While her Twilight pedigree will probably cause strong reactions to this news, both positive and negative, it’s worth remembering that she has a long history in indie movies and is not inherently uncool.

Director Jaume Collet-Sera is looking to kick off filming on Akira in March.

Tron: Legacy star offered lead in live-action Akira

5 Nov


It’s Official

Bumps in the road aside, that live-action Akira adaptation seems to be heading in the right direction now, and it may soon have a star. After lots of speculation that he was in the running, we’re now hearing that Tron: Legacy’s Garrett Hedlund has an official offer to star in the flick.

For two weeks now, word on the street has been that director Jaume Collet-Sera (Unknown) wanted Hedlund for the lead role of Kaneda in his Americanized flick, and now Twitch is reporting that the powers that be at Warner Bros. have agreed and delivered an offer for Hedlund’s consideration.

Hedlund could still turn down the role, but it could be his next big career bump, and given that Helena Bonham Carter and Gary Oldman have also reportedly been offered roles, it would definitely be a tough thing for a rising young star to refuse.

Not bad progress for a flick that not too long ago seemed like it might never happen. Budget cuts and a new director seem to have saved Akira.

Akira US Live Action Remake Given The Green Light by Warner Bros !

20 Oct

After what seems like an eternity burning in development hell, the live-action Hollywood remake of anime milestone Akira has been given the green light by Warner Bros. The Spanish director behind Orphan and House Of Wax, Jaume Collet-Serra, will be helming the major sci-fi project.

Variety reports that shooting on the live action Akira is due to start in late February/early March 2012, and that Tron Legacy’s Garrett Hedlund is the front runner for the lead role of Kaneda, the leader of a biker gang in a future metropolis who becomes infected with an apocalyptic power. The future metropolis in the Hollywood version will be New Manhattan, as opposed to Neo-Tokyo in the original manga and anime, and it’s highly probable that the character names will be changed (we don’t see why – Kaneda’s mum could have been a really bad speller who gave birth north of the US border…).

The original Akira manga, written by Katsuhiro Otomo, started publication in 1982 and continued until 1990 in the pages of Young Magazine in Japan. It was later collected into six mammoth volumes. Otomo when he himself directed the legendary anime movie version, released in 1988, massively simplifying the tale and ejecting several dozen subplots. The film of Akira went on to become an international hit, and helped to popularise anime in the West.

Sony originally bought the live action movie rights to Akira way back in the early ’90s, but never made much progress with the project. The rights moved to Warner Bros in the early noughties, since when a revolving door of director and stars have been attached to the project: Steven Norrington, The Hughes Brothers, Joseph Gordon Levitt, James Franco, Leonardo diCaprio. So we wouldn’t be surprised if Hedlund and Collet-Serra are yet another set of nearly-not-quites, though this is definitely the nearest live-action Akira has ever been to actually happening.

Double Blow as TWO major sci-fi films lose their directors

28 May

Not one but TWO major sci-fi film projects have said goodbye to their directors today, and at least one of those projects may be all but dead.

First came the news from Deadline that director Albert Hughes (The Book of Eli) was leaving the Warner Bros. live-action adaptation of the Japanese manga classic Akira. “Amicable creative differences” is the official reason given for Hughes’ exit, but with Keanu Reeves also bailing on the project not long ago, it’s not hard to speculate that Hughes was not happy with the direction the thing was taking.

The studio reportedly intends to keep the project alive and find a new director as well as a new lead, although without a star as big as Reeves the budget might have to be pulled back considerably. But if a director, star and budget are not figured out soon, it’s quite possible that Akira will end up on the scrap heap—which fans of the original 1988 anime version would not necessarily mourn.

Meanwhile, Variety has reported that director David O. Russell (The Fighter) has left Sony Pictures’ adaptation of the PlayStation 3 videogame, Uncharted: Drake’s Fortune. Creative differences were again cited as the reason here, despite the fact that Russell has been on the project for months and seemed excited about it. As with Warner Bros. and Akira, Sony will continue to “aggressively develop” the film, although rumored stars Mark Wahlberg, Robert De Niro and Joe Pesci will probably abandon it as well.

Keanu Reeves in talks for ‘Akira’ Movie lead

8 May


© WENN

Keanu Reeves is reportedly being lined up for the lead role in the live-action adaptation of the popular manga Akira.

According to The Hollywood Reporter, Reeves has begun talks with Warner Brothers about taking on one of the film’s lead roles.

If cast, Reeves would star as protagonist Kaneda, a biker gang leader who attempts to stop his best friend Tetsuo from destroying the world.

Previous names linked to the role of Kaneda have ranged from Twilight star Robert Pattinson to 127 Hours actor James Franco. However, talks with Reeves are said to be going well so far.

The likes of Justin Timberlake, Michael Fassbender and Joaquin Phoenix have also all been reported as potential candidates for the role of Tetsuo.

The Book of Eli director Albert Hughes is helming the project from a script by Steve Kloves.

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