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Genre Tv Ratings

15 Mar

The fall shows are heading into the home stretch and hoping to wrap up their seasons with a bang these days, while the new spring shows are often struggling to stay alive amid the competition.

Among the fall shows, Person of Interest continues to impress, setting a series record this week, while spring shows Awake and The River seem to be fighting to hold on to every viewer they can.

Check out our chart and commentary for more on how your favorite shows are doing in Live + Same Day viewers and rating.

MONDAY

Alcatraz (FOX)
5.65 million viewers/1.9/5 share

The above number is an average for the two separate episodes of Alcatraz that aired last Monday. One episode was a bit higher than this, and one a bit lower, but either way the show is still in decline. The drop in viewers seems to be leveling off at this point, but the series is still nearly five million viewers off from where its series premiere was less than two months ago. And in terms of rating, the show lost both its time slots to ABC, CBS and NBC shows, and those CBS shows were all repeats. There’s a lot of speculation that Alcatraz could be next on the Fox chopping block, even before the perpetually struggling Fringe. Numbers like these make that seem very possible.

Being Human (Syfy)
1.39 million viewers/0.7

Being Human basically broke even in viewers this week, but gained a tenth of a ratings point. That keeps it on par with its performance this time last year, and with any luck it could start climbing again by season finale time next month.

Lost Girl (Syfy)
1.21 million viewers/0.5

After suffering a series low in viewers last week, Lost Girl bounced back with its eighth episode and gained a tenth of a ratings point. It looks like this show’s going to keep hovering around the million viewers mark all season, which isn’t bad. The closer it gets to Being Human’s ratings, though, the safer it’ll be.

Terra Nova (FOX)—CANCELED

Terra Nova’s done at Fox, but it might not be over yet. We’ll keep you posted.

TUESDAY

The River (ABC)
4.21 million viewers/1.5/4 share

For the first time in its short history, The River posted a gain last Tuesday. Its fifth episode picked up almost 200,000 viewers, but broke even in rating and share scores. A gain is never bad, but when a show is struggling like this one, spikes this small don’t cut it.

WEDNESDAY

American Horror Story (FX)—DONE FOR SEASON

No worries for American Horror Story. Season two is on the way, and all we have to do is wait.

Touch (FOX)—OFF

Touch returns this week with a second airing of its premiere episode (which had a very successful preview in January) Thursday, then becomes a series proper when its second episode airs next Thursday. Right now Fox is crossing its fingers that the 12 million people who watched the preview are interested enough to return. If it succeeds, Touch might be the only new drama Fox decides to hang on to this season.

THURSDAY

The Big Bang Theory (CBS)
15.04 million viewers/5.1/15 share

It was kind of an odd week for The Big Bang Theory. It won the night in ratings, finished two tenths of a point ahead of American Idol, but actually came in third in viewers with its least-watched episode since December 8 of last year. Still, 15 million viewers isn’t too shabby at all, and a ratings win is a ratings win.

Person of Interest (CBS)
15.67 million viewers/3.4/9 share

Person of Interest had the biggest night of its life so far Thursday, earning the most viewers in series history by more than 600,000. It also won its timeslot and came in fourth in ratings overall, finishing behind Big Bang Theory, American Idol and a Big Bang Theory repeat. This show is becoming a positively dominant drama.

The Vampire Diaries (CW)—OFF

The Vampire Diaries was off again last week. New episode this Thursday.

The Secret Circle (CW)—OFF

The Secret Circle will also return with a new episode this Thursday.

Awake (NBC)
4.33 million viewers/1.6/4 share

Its first episode performed only moderately well, and now Awake could be in trouble after week two. The second episode lost nearly two million of the premiere’s viewers, along with four tenths of a ratings point and a share point. It finished second in its time slot, where it got creamed by The Mentalist and only barely beat out a repeat of ABC’s new show GCB. It’s not enough to put Awake to sleep yet, but it’s not a good sign.

FRIDAY

A Gifted Man (CBS)—DONE FOR SEASON

A Gifted Man is done for the year, and wide speculation that it’ll be cancelled still hasn’t been confirmed or denied by CBS. Fans just have to wait.

Chuck (NBC)—SERIES ENDED

Chuck signed off for the last time, and we’ll miss it. It wasn’t a ratings heavy program, but boy was it fun.

Fringe (FOX)—OFF

Fringe is in the midst of a break. It returns next week.

Grimm (NBC)
5.15 million viewers/1.5/4 share

Grimm fell back a bit this week, but it remained competitive. It finished second in its timeslot in rating, and finished fourth on the night overall. Compared to other Friday night genre shows, that’s not bad at all.

Supernatural (CW)—REPEAT

Supernatural is still on break. Be on the lookout for a new episode Friday.

Clone Wars (TOON)—1.99 million viewers/0.5

Sadly the first part of the two-part Clone Wars season finale (and the much-hyped return of Darth Maul) did not bring with it higher numbers, but it didn’t bring lower ones either. The show virtually broke even this week, but hopefully the Maul hype will mean a bigger audience for part two on Friday.

We still don’t know if we’ll see a fifth year for Sanctuary, but it managed to end its fourth with a nice little numbers spike. For now, we leave it with good news.

Merlin (Syfy)
1.72 million viewers/0.5

Here’s another show that virtually broke even week to week. Merlin is still going strong for Syfy.

Spartacus: Vengeance (Starz)
1.24 million viewers/0.7

Spartacus gained a few viewers and one tenth of a ratings point Friday night, maintaining its consistent success this season for Starz.

SUNDAY

The Walking Dead (AMC)
6.88 million viewers/3.6

The penultimate episode of The Walking Dead’s second season brought predictably strong numbers for the show. It hasn’t dropped below six and a half million viewers in nearly four months, and it continues to rule Sunday night cable. The big question, though, is if the season finale can pull in more record-breaking numbers for AMC.

Once Upon A Time (ABC)
9.29 million viewers/2.9/8 share

Once Upon A Time took a big drop this week for its least-watched episode in a month, but that still wasn’t enough to take it off the top slot among Sunday night dramas. It also tied The Amazing Race for top-rated program of the night, so even with those lost viewers, there’s not much to complain about.

Source:Blastr.com

R.I.P. Ralph McQuarrie, the man who designed Darth Vader

4 Mar

It’s a sad day for the concept art world. Ralph McQuarrie, the artist who created concept designs for the first Star Wars trilogy, the original Battlestar Galactica television show, Close Encounters of the Third Kind, E.T., and other science fiction classics, has passed away at age 82. He set our minds on fire and made so many of us fall in love with science fiction. He’ll be missed.

Genre Tv show Ratings

29 Feb

MONDAY

Alcatraz (FOX)
5.98 million viewers/1.8/4 share

More bad news for Alcatraz. Last Monday, the show dropped only a few more viewers, but it’s where it finished that’s worth noting. If you leave out CW shows (which always have lower viewership than major network shows), Alcatraz finished dead last for the night in both viewers and demo rating. As for how far it was behind, it finished three tenths of a ratings point behind the second lowest-rated major network show of the night (ABC’s Castle) and about 500,000 viewers behind the second least-viewed (NBC’s Smash). In six weeks on the air, the show has lost more than four million viewers, dropped 1.5 rating points and cut its share in half. Very bad news indeed.

Being Human (Syfy)
1.42 million viewers/0.6

Being Human gained a few viewers but dropped a tenth of a ratings point. Last Monday’s episode was the lowest-rated of the season, but an 0.6 for this show in this time slot is not a bad number.

Lost Girl (Syfy)
1.20 million viewers/0.4

Lost Girl also picked up a few viewers but lost a tenth of a point. This show could be doing better with retaining some of its Being Human lead-in, but it’s still not too shabby.

Terra Nova (FOX)—DONE FOR SEASON

News about Terra Nova these days isn’t exactly encouraging, but at least it’s vague enough that there’s still hope for fans.

TUESDAY

The River (ABC)
4.80 million viewers/1.7/4 share

Last week, The River lost two and a half million viewers between its first episode and its second and we chalked it up to Valentine’s Day. This week, the show had no such luck. It again lost viewers, though only about 160,000, and broke even in its rating and share. So we can safely chalk those lost viewers up to lack of interest in repeat viewing. Bad news for horror on ABC.

WEDNESDAY

American Horror Story (FX)—DONE FOR SEASON

No worries for American Horror Story. Season two is on the way, and all we have to do is wait.

Touch (FOX)—OFF

This week, Fox opted to shift the return of Touch to Thursday, March 22 rather than Monday, March 19, giving it a chance to follow American Idol and capitalize on the massive lead-in audience that show has to offer. If you didn’t see the special preview of the series premiere, you can catch a repeat after Idol on Thursday, March 15.

THURSDAY

The Big Bang Theory (CBS)
16.20 million viewers/5.3/16 share

Last week, The Big Bang Theory tied American Idol in their continued battle for ratings supremacy. This week it beat it, jumping half a million viewers and two tenths of ratings point. But hey, even in weeks when it doesn’t win that battle, this show is still a powerhouse.

Person of Interest (CBS)
14.56 million viewers/2.1/8 share

Person of Interest bounced back from a big drop last week with a 1.5 million viewer gain this week. It remains at the top of the drama heap on Thursday nights.

The Vampire Diaries (CW)—OFF

The Vampire Diaries took the first week off of a long break Thursday. It’ll return March 15.

The Secret Circle (CW)—OFF

The Secret Circle’s also off for a month or so. Expect a new episode right after the return of The Vampire Diaries March 15.

FRIDAY

A Gifted Man (CBS)
9.05 million viewers/1.3/4 share

A Gifted Man dropped about half a million viewers this week and took its rating score back down to its most common levels. A lot of pundits have little hope for this one’s future, but nine million viewers on a Friday night is never a bad thing.

Chuck (NBC)—SERIES ENDED

Chuck signed off last Friday, and we’ll miss it. It wasn’t a ratings heavy program, but boy was it fun.

Fringe (FOX)
3.08 million viewers/1.2/4 share

Fringe fans might not have a lot of hope left for a fifth season (though there’s always a little hope), but the show continues to fight for every inch it can get. This week it picked up a tenth of a ratings point and a full share point, but it still finished dead last in terms of viewership for major network broadcasts. At this point, though, it doesn’t seem that viewership is going to change anything. The bigwigs have the show’s future in their hands.

Grimm (NBC)
4.79 million viewers/1.5/5 share

Grimm returned from a week off to a slight dip in all its numbers, but it still won the ratings battle in its time slot. It’s not a powerhouse, but Grimm is managing to stay strong.

Supernatural (CW)—OFF

Like its Thursday night sister shows The Vampire Diaries and The Secret Circle, Supernatural has now entered into a month-long break. Expect a new episode March 16.

Clone Wars (TOON)
1.46 million viewers/0.4

The Clone Wars came back from a week off to slightly fewer viewers, but we’re just a few episodes away from Darth Maul action. Expect a bump in numbers for the season finale.

Sanctuary (Syfy)—DONE FOR SEASON

We still don’t know if we’ll see a fifth year for Sanctuary, but it managed to end its fourth with a nice little numbers spike. For now, we leave it with good news.

Merlin (Syfy)
1.60 million viewers/0.5

Merlin took a 150,000 viewer hit this week, but broke even with its rating. With any luck it can climb past two million viewers again sometime this season, but it’s still solid.

Spartacus: Vengeance (Starz)
1.56 million viewers/0.7

Spartacus continues to bring good news to Starz. This week it pulled the highest viewership of the season so far, and the second highest in series history, second only to the finale of the Gods of the Arena prequel.

SUNDAY

The Walking Dead (AMC)
7.04 million viewers/3.8

The Walking Dead picked up a little less than 200,000 more viewers this week, and two tenths of a ratings point, cementing it once again at the top of Sunday night cable. Earlier this season it was hovering right around the low end of six million viewers. Now it’s hovering around the low end of seven. Let’s see if it can stay there, and if the season finale can top the midseason return and set a new record.

source:Blastr.com

Genre Series Tv Ratings !

17 Feb

Tv Time Tunnel : Guide to Babylon 5

19 Jan

It was the dawn of the third age of television, many years before networks would discover the power of long-form storytelling, when Warner Brothers helped former Murder She Wrote writer J. Michael Straczynski realize his dream to cross The Lord of the Rings with Casablanca…IN SPACE!

The resulting series would revolutionize television storytelling. The year is 1994, the name of the show is Babylon 5! Join us, both B5 novices and veterans, as we recount this great series’ absolutely essential moments.

It’s easy to forget now, in the age of Battlestar Galactica, The Walking Dead, American Horror Story, Breaking Bad, Sons of Anarchy, Lost, Deadwood, The Wire, Homeland, and oh so many other series, that there was once a time when long-form storytelling was all but nonexistent on television. Prime time audiences, it was believed, were too fickle and inconsistent to follow stories that play out over multiple seasons.

Now, in the age of internet recaps, fan and insider podcasts and the proliferation of media about media, the long form is seen as a way to promote viewer loyalty and online buzz. It is the one-off, bad-guy-of-the-week series that now feel like the dying breed.

Babylon 5 represented not only a turning point in the form of television drama, but in the relationship between show creators and their audiences. Straczynski and Warner Brothers were aware that the show would rise or fall with word of mouth and were thus unprecedentedly open about their process and about the production of the series.

The pilot movie, The Gathering, was heavily promoted online in an era when few people knew what “online” meant. Transcripts of discussions Straczynzki had with the fan base during the production of the series can still be found, along with synopses and analyses of each episode, at The Lurker’s Guide to Babylon 5.

It is impossible to do any sort of analysis of this series without significant spoilers. Babylon 5 has a great many enjoyable set-ups and payoffs, so if you are interested in getting into the series but do not want to read the spoilers in the article below, I have created a separate list of essential episodes broken down by season which you can find here. Stop reading now if you don’t want to know what happens.

The Setting and Backstory

The show takes place aboard the eponymous space station Babylon 5, located in neutral territory in deep space. Babylon 5 is the fifth of the Babylon stations. The first three were destroyed by terrorists and the fourth mysteriously disappeared before coming online.

Babylon 5′s primary purpose is diplomatic. It’s a galactic UN/WTO, providing a place where the galaxy’s different alien races can negotiate trade and territory. It was established 10 years after a war between Earth and an alien race known as the Minbari ended with the mysterious surrender of the Minbari just at the moment of their final victory at The Battle of the Line. Basically Gettysburg…IN SPACE!

The Major Players

Jeffrey Sinclair – The first commander of Babylon 5, Jeffrey Sinclair was abducted and held by the Minbari during the Battle of the Line. Sinclair was hand-picked by the Minbari government to run Babylon 5, bypassing several more-qualified candidates

Delenn – The Minbari ambassador to Babylon 5 and member of the Minbari government’s ruling Grey Council.

G’Kar – The Narn ambassador to Babylon 5. The Narn are a prideful, warrior race who had once been subjugated by and are now in ongoing conflict with an imperialist race known as the Centauri.

Londo Mollari – The Centauri ambassador to Babylon 5, Mollari’s conflict with G’Kar is both political and personal. Mollari’s life is the tragic tale of a man ever caught between goodness and greatness.

Alfred Bester – a high ranking member of Earth’s secretive “Psi Corps,” an only somewhat totally fascist organization run by telepaths. Played in “Evil Chekov” mode by Walter Koenig, this character could only have been improved by the judicious application of a goatee. Bester was not a regular character on the show, but he does play a critical role in the unfolding of the main story arc.

John Sheridan – Babylon 5′s second commander, assigned to the station after Jeffrey Sinclair is recalled to Earth for bad acting. Sheridan is the only human captain to have ever scored a victory over the Minbari in battle. Sheridan’s wife, Anna, disappeared along with the rest of the crew of the archaeological research vessel Icarus while investigating a mysterious alien world, giving truth to the old adage that one should never sign up for duty onboard a ship named “Icarus.”

In addition to these main players, there are a number of well-developed supporting characters, including Babylon 5′s human command staff (security chief Michael Garibaldi, first officer Susan Ivanova, chief medical officer Stephen Franklin) and diplomatic support staff (Vir of the Centauri, Lennier of the Minbari, N’Toth of the Narn.)

These characters acted as so-called “trapdoors” for the main characters. Straczynski knew that telling a five-year story on television would leave him vulnerable to losing actors, so he always made sure that there were backup characters available to fill in for each of the main characters. Ever the author of virtuous lemonade from necessary lemons, Straczynski makes this “trapdoor” strategy a theme of the show. Many of the characters, most notably Delenn, are heard to comment that should they fall in their struggle, others will rise to take their place.

Plot Summary

As with Farscape, it is foreseeable that fans of the show will consider nothing short of “all of them” to be the correct answer to the question “what are the essential episodes of Babylon 5?” (And, as always, I am open to suggestions for how to persuade io9 to pay me for a three-word article.)

But also similar to Farscape, Babylon 5 has a major story arc which constitutes the meat of the show. If you don’t like the major arc meat, you probably won’t get much out of the standalone potatoes. The major story arc, the Shadow War and its aftermath, plays out over five seasons with each season constituting a chapter in the epic. While there are many good standalone episodes that are worth watching (A Late Delivery From Avalon, Grey 17 Is Missing, Gropos), my main criterion for selecting episodes is advancement of the Shadow War story.

In addition to the main series, there are also a number of television movies that contribute to the Babylon 5 story. I have not included these films in this article, as they are few enough that if you like the show, you ought to seek them out.

Season One – Signs and Portents

The first season of Babylon 5 consists mainly of Star Trek-like alien-of-the week episodes. The main arc episodes in this season present many questions without providing many answers. Signs, portents, prophecies, significant glances, secretiveness and evasiveness lay over Season One like a shroud. The key issues addressed are Sinclair’s experience at the Battle of the Line and the subsequent Minbari surrender, the conspiracy to overthrow the government of Earth and the subsequent assassination of President Santiago, and the emergence of a new…or rather, very, very old…alien race that threatens the galactic peace.

Season One Essentials

101 – Midnight on the Firing Line – The episode provides the essential backstory for the Earth/Minbari war and sets up the Narn/Centauri conflict

106 – Mind War – This episode introduces the Psi Corps and psi cop Alfred Bester

108 – And the Sky Full of Stars – This episode explores Sinclair’s experiences at the Battle of the Line and reveals that Delenn was present at his interrogation. It’s also the first instance of someone saying “if I fall, another will replace me.”

113 – Signs and Portents – This episode introduces Mr. Morden, the errand boy for a mysterious race bent on…well, we don’t know yet

118 & 119 – A Voice In The Wilderness pt 1&2 – This episode introduces Draal and the Great Machine on Epsilon 3, the planet which Babylon 5 orbits. The Great Machine is an homage to/ripoff of the Krell technology from Forbidden Planet. When the alien operator of the great machine dies, he is replaced by Draal, Delenn’s Obi-Wan Kenobi-like mentor.

120 – Babylon Squared – Having become unstuck in time years earlier, Babylon 4 reappears and the crew hurry to rescue survivors before it disappears again. To complicate matters, it appears that a hirsute alien named “Zathras” is trying to steal/borrow/commandeer the station for use in a great war.

122 – Chrysalis – In the season finale, Delenn goes into a chrysalis to transform into, well, we don’t know yet, Garibaldi is shot in the back by his own second-in-command and the president of Earth dies when his spacecraft explodes under mysterious circumstances.

High Points of Season One

If you have to pick one episode to watch from season one, it has to be Babylon Squared. This is the first episode that truly makes a contract with the viewer that all these mysterious half-significant bits of portent and prophecy are actually going somewhere. Having seen a few episodes prior to this one, Babylon Squared hooked me back in the day. And, for once, the promised payoff does come (cough, Lost, cough.) Walter Koenig’s portrayal of Alfred Bester in Mind War is also the beginning of what will be a wonderfully villainous run for Evil Chekov.

Season Two – The Coming of Shadows

Season Two introduces Babylon 5′s new commander, John Sheridan. Straczynski, having difficulty both with Michael O’Hare (who didn’t adjust well to acting on television) and with the excessive narrative weight he’d laid on Sinclair decided to split Sinclair into two characters, one who would play out the messianic human/Minbari destiny and the other who would command the forces of Light in the Shadow War.

The main arc of Season 2 deals with the buildup to the Shadow War. The Shadows’ modus operandi is to stir up trouble among the younger races, and we see those conflicts playing out in this season, in particular the Narn/Centauri conflict, the dissolution of the Minbari ruling order and Earth’s continuing slide into Orwellian dictatorship.

Season Two Essentials

201 – Points of Departure – This episode introduces John Sheridan and provides an answer to the questions surrounding the Battle of the Line. Long story short: the Minbari discovered that the souls of their dead were being reincarnated on Earth and that by killing humans they were killing their own people. Sinclair is one of these reincarnated Minbari and this was discovered during his examination. This is why the Minbari surrendered and why they’ve been helping humans ever since.

202 – Revelations – In this episode, we discover that the Shadows are known to G’Kar and that the Narn have written about them in their ancient history. Delenn emerges from her chrysalis and is now half human/half Minbari. She does this in order to become a bridge between our two peoples and not in any way to make her more visually appealing for when she falls in love with Sheridan. We also learn that the Shadow homeworld is a barren and evil place known as “Z’ha’dum.” Yeah, it does sort of sound like “Khazad-dum” now that you mention it.

208 – A Race Through Dark Places – Bester returns in this episode to investigate an underground railroad for rogue telepaths being run through Babylon 5.

209 – The Coming of the Shadows – One of the most tragic moments of the season comes when the Centauri emperor visits Babylon 5 and gives G’Kar a glimpse through a door to peace for their respective peoples, shortly before it slams shut. This episode also introduces the Rangers, a group of wandering fighters similar to the Rangers in The Lord of the Rings. And by “similar to” I of course mean “exactly like.”

213 – Hunter, Prey – A messenger from Earth comes to Babylon 5 with critical evidence implicating the current president in the murder of previous president, only to be interrupted in his mission by Bull Shannon from Night Court.

215 – And Now For A Word – This episode provides an external overview of the show as a team of reporters does a story on Babylon 5. This episode provides a useful recap of the critical elements on the show and also advances the Narn/Centauri war.

216 – In The Shadow of Z’ha’dum – In this episode we discover that itinerant sleazebag and Mollari benefactor Mr. Morden was on board the ill-fated Icarus, suggesting the possibility that Anna Sheridan may too have survived. This episode also introduces what is perhaps the most famous prophecy in a show where prophecies are thick on the ground when Kosh tells Sheridan “If you go to Z’ha’dum, you will die.” And so he will, in a Buffy Summers kind of way.

219 – Divided Loyalties – one of the trapdoors springs when Andrea Thompson trades in Psi Corps Black for NYPD Blue and Patricia Tallman returns to her role as Babylon 5′s original resident telepath.

220 – The Long, Twilight Struggle – Draal returns, 30 years younger and centuries more melodramatic and Lord Refa, Londo’s frenemy in the Centauri Royal Court, presses a final solution to the Narn problem.

222 – The Fall of Night – With their home world devastated, Sheridan gives sanctuary the Narn over the objections of his own government. The increasingly creepy Nightwatch, the enforcement branch of the Earth government’s equally creepy Ministry of Peace, prepare to seize control of Babylon 5. Only until this present crisis is over, you understand. We are at war. With, you know, terror. As soon as terror surrenders, we’ll give you your rights back. When Sheridan nearly dies in a bomb attack, he is rescued by Kosh who reveals himself to the entire station to be, or at least to appear to be, whatever your race’s name is for “an angel.”

High Points of Season Two

The tragedy of Londo and G’Kar’s relationship reaches a high point in The Coming of the Shadows. When G’Kar, newly optimistic about a future of peace between the Narn and the Centauri, offers Londo his hand in friendship while Londo knows that war with the Narn is underway, it’s difficult not to feel your heart sink.

It would not be amiss to state that, generally speaking, if you’re watching Babylon 5 for the acting, you’re in for a thin soup. But Peter Jurasik and the late Andreas Katsulas stand out as notable exceptions. These two great actors infuse Babylon 5′s most complex and nuanced character relationship with the depth the story needs to be more than a long series of video game cut scenes.

The look on Jurasik’s face as he oversees the bombing of the Narn home world stands out as another moment where the heartbreak of their tragic story shines through. It’s as though he feels the pain of the Narn as sharply as G’Kar does.

Season Three – Point of No Return

In Season Three, the conflict with the Shadows becomes a shooting war as Delenn and Sheridan, lacking adequate support from their home governments, consolidate their defenses around Babylon 5. At this point in the series, it becomes increasingly difficult to isolate essential episodes. As the Shadow War story arc builds, there are fewer and fewer one-off episodes.

Season Three Essentials

301 – Matters of Honor – In this episode we are introduced to Marcus, the romantic, virginal, happy-go-lucky-yet-serious-and-soulful Ranger who in no way represents the self-image of the show’s fan base. We further find that Mr. Morden is (shock surprise) working with the fascists in the Earth government. This episode also introduces The White Star, a Minbari/Vorlon battle cruiser designed to give the Army of Light some small hope of not being instantly destroyed by the Shadows.

305 – Voices of Authority – Marcus and Ivanova seek Draal’s help in tracking down the few remaining “Old Ones,” the god-like alien peers of the Shadows and the Vorlons. A political officer bearing a striking resemblance to (and possessing about as much charisma as) a Fox News on-air correspondent arrives at the station evidently intent on sleeping her way to the middle.

306 – Dust to Dust – G’Kar gets his hands on a drug designed to activate latent telepath genes and mind-fucks Londo, literally. In this episode, we learn that there are currently no Narn telepaths, but there once were. A thousand years ago. Which was the last time the Shadows were on the move.

308, 309 & 310 – Messages From Earth/Point of No Return/Severed Dreams – In this three-part series, Babylon 5 severs its ties with Earth. Having discovered a vessel buried on Mars, the Earth government has been actively trying to develop Shadow technology. Sheridan uses the White Star to destroy the Shadow vessel. In response, Earth sends a fleet to seize control of Babylon 5 only to be turned away by Delenn leading Minbari fleet. That would be the fleet that could have destroyed Earth without getting winded.

314 – Ship of Tears – Bester returns to ask for help tracking a ship containing “weapons parts” that turn out to be cybernetically enhanced telepaths stored in suspended animation. Shadow vessels, it seems, are vulnerable to attack by telepaths, so the Shadows have been working with Psi Corps to train telepaths to fly Shadow vessels. Bester, offended that the Shadows are muscling in on his territory of coercing telepaths into service and equally put out that they chose his girlfriend as one of their pilots, joins with Babylon 5 in their struggle.

315 – Interludes and Examinations – Londo’s girlfriend is murdered by Morden who pins the killing on Lord Refa, creating a split between the two that Morden hopes to exploit. Dr. Franklin exchanges his addiction to stims for an addiction to self-righteous smugness, Sheridan convinces Kosh to have the Vorlons attack the Shadow fleet directly and Kosh is murdered by the Shadows in retribution.

316-317 – War Without End parts 1 & 2 – The check written in Babylon Squared is paid off in this brilliantly constructed two-part series. Jeffrey Sinclair returns to Babylon 5 and Delenn announces that Babylon 4 is needed to win the previous war against the Shadows one thousand years ago.

Straczynski quite consciously eschewed using time travel in Babylon 5. He regarded it as a cheap trick that other shows use to erase the consequences for dramatic actions. The circle of conflict and rebirth told in Babylon Squared and War Without End is the single exception. Sinclair not only travels to the past to fight the Shadows, but he also uses the same technology Delenn used to transform herself to transform himself into a full Minbari. And not just any Minbari, but Valen, their greatest religious leader. All of the prophecies and portents that formed the Minbari religion were facts personally known to Sinclair. In this series we also see glimpses of the future, including the fall of Centauri Prime.

320 – And The Rock Cried Out, No Hiding Place – Londo lures G’Kar to the Narn home world where he is subject to arrest by Lord Refa. This is one episode that is worth not spoiling. G’Kar obviously survives with his freedom intact, but beyond that you just have to see how it plays out for yourself.

322 – Z’ha’dum – Anna Sheridan arrives on Babylon 5 and persuades John, who is now in love with Delenn, to return with her to Z’ha’dum where we learn more about the conflict between the Shadows and Vorlons. The Vorlons are lords of order, believing that the younger races must be trained and disciplined into evolving. The Shadows are lords of chaos who believe that the younger races can only evolve through conflict and rebirth. The history of war between the two races boils down a battle between these two philosophies. Sheridan listens patiently to the Shadows’ pitch and then blows up their capital city with a nuclear weapon he smuggled on board The White Star. Moments before the nuke goes off, he jumps, without a refrigerator or anything, and falls into a cave far below. If Z’ha’dum is a reference to Khazad-dum, then I guess Anna Sheridan would be the Balrog, which is bad news for Sheridan. Who wouldn’t rather face a fire demon than their ex?

High Points of Season Three

I can still recall the excitement my water cooler friends and I shared knowing the last episode of season 3 was called “Z’ha’dum” and seeing the “Z minus X days” titles at the head of the episodes leading up to the finale, but my personal favorite episode of this season has to be And The Rock Cried Out No Hiding Place. The evolving relationship between Londo and G’Kar is incredible in this episode and the finale of the Londo/G’Kar/Refa arc is one of my favorite sequences in the series.

War Without End is also a great moment in the series. It was gratifying indeed as a fan to have my three year investment in the program pay off and it strengthened my hope that the rest of the series would play out just as well. These episodes are also worth watching for the late Tim Choate’s performance as the ever put-upon Zathras. No one listens to poor Zathras.

And, of course, Delenn’s monologue as she stands down the Earth fleet in Severed Dreams is a fan favorite.

Season Four – No Surrender, No Retreat

What was difficult in Season Three has become impossible in Season Four. Babylon 5 was originally planned to play out the Shadow conflict and the liberation of Earth from President Clark well into Season Five, but the show was threatened with cancellation after Season Three, so Straczynski pushed the conclusion of the war into Season Four. He also took upon himself the herculean task of writing each episode of the season himself. As emperor Cartagia says, you can’t leave these things to others, they never get it right!

Season Four Essentials

Instead of an episode-by-episode breakdown, I’ll summarize the events of this season as though it was what it is: one big long episode.

John Sheridan dies at Z’ha’dum, but his soul and/or body (it’s not entirely clear) are caught by Lorien, who is a member of the first species in the galaxy to attain sentience. Lorien breathes enough life back into Sheridan for him to survive another twenty years and the two return to Babylon 5.

The Vorlons, now represented by a much harsher and more sadistic ambassador whose name is “Kosh” just the same as every other Vorlon (why not call them “Koshes” instead of “Vorlons?”), escalate the conflict with the Shadows into a scorched galaxy genocide, destroying entire planets where the Shadows have any influence.

Meanwhile, the new Centauri emperor, Cartagia, begins exhibiting signs of madness and is bribed into helping the Shadows in exchange for promises of godhood. Of course there was no way to predict that an emperor whose name rhymes with “Caligula” would turn out to be crazy. G’Kar is arrested by the Centauri while looking for Mr. Garibaldi and agrees to help Londo remove the insane Cartagia from the throne in exchange for the liberation of Narn from Centauri rule.

The war between the Shadows and Vorlons plays out to a final conflict where Sheridan announces to both races that the younger worlds are no longer interested in choosing sides in a fight between bickering parents and tells them, in what is still the best line in science fiction television history, to “get the hell out of our galaxy.” “Please stay and help us clean up the mess you two made” just didn’t have the same ring, I suppose. After the end of the Shadow war, Sheridan turns his sights to the liberation of Earth.

Mr. Garibaldi, who was captured by a Shadow vessel during the battle at the end of Season 3, is brainwashed by Bester and betrays Sheridan by luring him into a trap.

Sheridan is arrested and tortured by the Earth government who want to use him as a reformed poster child for anti-alien sentiment.

Garibaldi, realizing that he has been manipulated, helps rescue Sheridan and Sheridan and the Mars Resistance return to liberate Earth from the government of President Clark.

High Points of Season Four

Vir looking up at Morden’s head on a pike and waving as he prophesied he would definitely ranks as one of the high points not only of the season but of the show, but The Deconstruction of Falling Stars, which shows us glimpses of the future of the Babylon 5 universe is the must-see episode of the season.

The episodes with emperor Cartagia are also quite enjoyable. Wortham Krimmer’s determination not to be upstaged by Peter Jurasik and Andreas Katsulas results in a giddily over-the-top “more is more” performance that is simply not to be missed.

Season Five – Wheel of Fire

This season focuses on Sheridan and Delenn’s efforts to found a new galactic government, conflict with a race of Shadow allies known as the Drakh who are consolidating power in the Centauri Republic, and the clash between telepaths and mundanes (or normals or muggles or whatever.)

What was impossible for Season Four is much easier for Season Five. Having won a reprieve from cancellation, Straczynski found himself without adequate time to develop a compelling second half to his story. Consequently, this season has more standalone episodes and many of the major arc episodes set up stories that are paid off in other media including the television movies, novels and comics.

The telepath story is played out in four key episodes:

509 – The Kingdom of the Blind
510 – A Tragedy of Telepaths
511 – Phoenix Rising
513 – The Corps is Mother, The Corps is Father

The conflict between the galactic Alliance and the allies of the Shadows is played out in three key episodes:

516 – All My Dreams, Torn Asunder
517 – Movements of Fire and Shadow
518 – The Fall of Centauri Prime

The final three episodes of the season bring an end to the story of the last of the Babylon stations:

520 – Objects in Motion
521 – Objects at Rest
522 – Sleeping In Light

High Points of Season Five

Though it didn’t make the cut as an essential episode, my favorite moment of season five is definitely Penn and Teller playing the previously referenced but never seen vid comedians “Rebo and Zooty” in episode 508 Day of the Dead. Hey Zooty! Zoot! Zoot!

The Fall of Centauri Prime is another high point in the season, as we see the tragic fate of Londo and G’Kar played out. In a season more concerned with looking forward than looking back, this episode is a strong reminder of what made the first four seasons so enjoyable.

Overall, Babylon 5 was our last, best hope for the future of rich storytelling on television. It succeeded. In the years that would follow, increasingly satisfying long-form stories would become as common on television as lurkers in Down Below.

Source:i09
by:jasonshankel

Time Tunnel : A look back at Philip Kaufman’s Invasion Of The Body Snatchers

9 Dec

Don Siegel’s Invasion Of The Body Snatchers was, without doubt, amongst the finest sci-fi movies of the 1950s, and high on the list of my favourite genre pictures of all time. Loosely based on a 1955 novel by Jack Finney, the 1956 Body Snatchers was the sublimely paranoid tale of a small-town doctor who finds himself in the middle of an invasion of the most insidious variety.

By the time Dr Miles (Kevin McCarthy) realises something’s wrong with his patients, most of them have already been absorbed and replaced by physically identical yet emotionally sterile pod people. The most mature and intelligently made of the 50s cycle of ‘reds under the bed’ movies, few films before or since have captured its overwhelming sense of tension and dread.

This isn’t to say, though, that Invasion Of The Body Snatchers is perfect. At the insistence of studio bosses, the film was topped and tailed with a pair of scenes that alter the pessimistic tone of the original script with one that offers a glimmer of hope. As originally shot, Body Snatchers would have ended with the remarkable, fourth-wall-breaking shot of Dr Miles screaming into the camera, “They’re here! You’re next!”

Ultimately, the gut-wrenching impact of that ending was softened with a conclusion which implied that humanity might be saved by the FBI at the last minute. Had Don Siegel shot the film a few decades later, it’s possible he may have been able to release a director’s cut on DVD.

In 1978, director Philip Kaufman brought his own version of Invasion Of The Body Snatchers to the screen, and on the face of it, his movie’s a typical remake as we now understand the term. It scales up the canvas from a small middle-class community to a city, brings in a slightly starrier cast, ups the budget, includes references to the original (including an absolutely perfect cameo from Kevin McCarthy) and adds in lots more showy special effects.

Remarkably, though, the 70s Body Snatchers almost equals the brilliance of Siegel’s original – and this time, its downbeat conclusion isn’t sullied by a studio-enforced epilogue, as the residents of San Francisco come under silent attack from plant-like, other-worldly organisms.

Where the protagonists in Siegel’s movie were well-to-do and crisply dressed, the characters on the run from the listless pod-people in the 78 version are engagingly off-beat. Jeff Goldblum’s Jack, a mud bath owner and struggling writer, and Veronica Cartright’s plays his skittish wife Nancy. Donald Sutherland is Matthew, a somewhat pompous health inspector, and Brooke Adams is Elizabeth, his colleague. Best of all, there’s Leonard Nimoy as an inscrutable psychiatrist who insists on wearing a weird little leather glove.

As in the 1956 version, this huddle of characters gradually realises that their entire community is being transformed into inhuman copies, and they alternately bicker among themselves, hide, and then run in terror from a menace that appears to be engulfing the world.

Unlike the original, the film’s memorable for its use of outlandish special effects. We see ersatz humans hatch and grow from pods, and in one startling scene, Brooke Adams is menaced by a dog with the head of a man. I almost wonder whether a young Rob Bottin was in the cinema watching this, quietly taking down notes for later use in John Carpenter’s The Thing.

The 1978 Body Snatchers is most memorable, however, for the pod people’s habit of pointing and screaming at human escapees. It’s a trait that wasn’t exhibited by the eerily calm invaders of the 50s film, and its use here is absolutely terrifying. It’s said that Angela Cartwright didn’t know she was about to be confronted by a screaming pod-person in one key scene – it hadn’t been written into the script, so her anguished reaction was completely genuine.

As written by WD Richter (who would later direct The Adventures Of Buckaroo Banzai), the Body Snatchers script is absolutely faithful to the tone and pace of the 56 version, while subtly altering its themes. Mind control and conformity were subtexts in the original (though some critics appeared to be divided over whether Siegel’s message was anti-McCarthyist or anti-Communist), but the 1978 film’s metropolitan setting brings the subject of individuality to the fore.

It’s a Body Snatchers for the post-flower power age of feminism and pop psychology, and could be a read as a meditation on the loss of identity in the modern age. It’s the city relocation, and the aggressive, furtive otherness of the invaders, as opposed to the drone-like listlessness of the 50s pod people, that makes the 1978 Body Snatchers more than just another remake.

Kaufman’s Body Snatchers was shot at a time when distrust of the government was at its height, following the Watergate scandal and the terrible loss of life in Vietnam. These events ushered in a wave of movies filled with cynicism and resentment, including the conspiracy thrillers The Parallax View and Capricorn One. The 1978 Body Snatchers is perhaps the best film of its type to emerge from this era of fear and loathing.

Its few authority figures are strange and untrustworthy – Nimoy’s psychiatrist is little more than a post-modern snake oil salesman, who dashes off a self-help book once every six months, and, it later turns out, knows far more about the invasion than anyone realises. Meanwhile, characters talk darkly about not trusting cops. Conversations repeatedly contain the word ‘conspiracy’. Mysterious government representatives on telephones tell people not to create a panic, and most ominously, “Don’t mention to anyone about duplicate bodies.”

With the economy reeling from the financial devastation of 2008, ushering in a new age of resentment – whether it’s towards bankers, newspapers or politicians – it’s little surprise that Invasion Of The Body Snatchers still packs a dramatic punch. In many ways, in fact, its themes of distrust and conformity are probably more relevant than ever.

Our televisions are infested with programmes where both celebrities and members of the public alike sing, dance and eat live insects for audience approval. We have hundreds of friends on Twitter and Facebook, many of whom we’ll never meet – how many of those people do we truly know and trust?

That blood-curdling scream is extraordinarily apt. In an age when we spend more and more of our lives online, in a virtual world of likes and dislikes, friends and followers, there’s a quiet yet ever-present pressure to conform, network and strive for popularity. Society is now driven by opinion, and those opinions can change in the time it takes to click a mouse button.

How terrifying would it be, then, if that entire community were to turn and focus all its hatred on you? That’s the nightmare that Kaufman’s Body Snatchers confronts its audiences with in that single, inhuman scream. It’s simple, terrible, and needles us in a way that words never could. And that’s why this film remains so powerful, and so horrifying.

Source:denofgeek.com
by:Ryan Lambie

U.S Genre show Tv Ratings for the end of 2011

7 Dec

The TV herd may have thinned out for 2011, but there’s still plenty of new genre programming to be had. The Walking Dead, Fringe, The Vampire Diaries and The Secret Circle are all done for the year, but several other shows still have more episodes to get through before we ring in 2012.

This week Supernatural closed out the year too, earning a welcome numbers spike along the way, while Once Upon a Time kept dipping over on ABC. Meanwhile Terra Nova gained, American Horror Story won its night once again, and The Big Bang Theory won Thursday without even airing a new episode.

Check out the chart above and the analysis below to compare the Live + Same numbers and see how your favorite show is faring this season.

MONDAY

Terra Nova (FOX)
7.19 million viewers/2.2/6 share

We’re getting closer and closer to Terra Nova’s season finale, and things are only looking slightly better. It earned a bump of nearly three quarters of a million viewers this week and added a 10th to its rating. Any gain is good news for an expensive show like this one, but it’s still far from the 9 million viewers it attracted for its premiere back in September, and those numbers weren’t considered stellar to begin with. So, will it get canceled? It’s not clear, but it’s definitely far from a guarantee that it will continue.

WEDNESDAY

American Horror Story (FX)
2.85 million viewers/1.7

American Horror Story once again easily topped the Wednesday night cable ratings this week, picking up a 10th of a ratings point and a few more viewers. The only thing that came close to giving it a run for its money (now that South Park is on break) was William Shatner’s guest appearance on Psych, which topped it in viewers but finished a full half-point behind in rating scores.

THURSDAY

The Big Bang Theory (CBS) – REPEAT
Here’s how powerful The Big Bang Theory is when it comes to Thursday night TV: It’s been off for two straight weeks, and even its reruns attract more than 10 million viewers. It won Thursday night in viewers, ratings and share, and it didn’t even have to air something new. It’ll have one last hurrah for 2011 on Dec. 8, and then it’ll just keep winning with reruns until 2012 episodes kick off.

Person of Interest (CBS) – REPEAT
Person of Interest will make its way back Dec. 8 for two more episodes to close out the year, but even in repeats this show looks pretty good. It earned more than 8 million viewers this week even without a new episode.

The Vampire Diaries (CW) – REPEAT
The Vampire Diaries won’t be back until January, but even with the ratings lower than they were last year, it’s time to put this in perspective. Yes, the numbers are low, but not so low that The CW will be itching to cut this show loose. Not yet, anyway.

The Secret Circle (CW) – REPEAT
Here’s another show where we have to consider how the numbers stack up to other CW shows. Secret Circle isn’t matching The Vampire Diaries, and that’s disappointing for The CW, but it’s still doing better than their other series like Nikita and Hart of Dixie, and that’s enough to keep it afloat for now.

FRIDAY

A Gifted Man (CBS)
8.01 million viewers/1.3/4 share

A Gifted Man returned this week with a new episode and stayed the course, holding steady with its rating and share. The numbers have never been too bad, but this show simply can’t keep up with the rest of the CBS Friday night lineup, and that may be its downfall.

Chuck (NBC) – OFF
Chuck won’t be back until Dec. 9 with a new episode, but there’s not any real analysis to do here. The show is nearly done, so if you’re a fan, enjoy it while it lasts.

Fringe (FOX) – OFF
As it waits to return for 2012, Fringe’s future is still very much in question. Its ratings slipped to the lowest of the season at its midseason finale a couple of weeks ago, and the season-four numbers are nothing compared to the glory days of season one. Still, there’s some hope left.

Grimm (NBC) – OFF
Grimm will be back with its new Thursday night timeslot Dec. 8, and with any luck a new home will spell better numbers for this show. It wasn’t doing terribly for a Friday night show, but Thursday is a different ballgame.

Supernatural (CW)
1.89 million viewers/0.7/2 share

Supernatural enjoyed a nice little numbers spike for its midseason finale, picking up nearly half a million viewers as it closed out 2011. Make no mistake, these are low numbers, but add up the combination of Friday night TV, the fact that it’s a CW show and the dedicated fanbase, and Supernatural is far from dead.

Clone Wars (TOON) 1.36 million viewers/0.4

Clone Wars took on Black Friday and did pretty well, then dipped the week after, losing a 10th of a point and about 200,000 viewers. Still not bad for a Cartoon Network series, especially one that keeps jumping around in viewership every week, but a few more viewers wouldn’t hurt.

Sanctuary (Syfy) – REPEAT
Sanctuary took its first break of the year before it heads into its final four episodes of the season. Viewership dropped steadily over the last four weeks, but hopefully the energy of a finale buildup can give it a boost.

SUNDAY

The Walking Dead (AMC) – OFF
The Walking Dead is done until 2012, and it’s a time for celebration for AMC. Season two started strong and stayed that way. Now all that’s left to do is wait and see just how high the numbers will be when the show returns next year.

Once Upon a Time (ABC) – 9.66 million viewers/3.2/7 share

For the first time since it premiered, Once Upon a Time has given up its Sunday night crown to another show. The fairy-tale drama dropped one million viewers, two 10ths of a point and a full share point Sunday, leaving The Good Wife over on CBS to win the night for most-watched scripted show. It’s below 10 million viewers for the first time, but the numbers are still strong. If the slump continues, we might worry, but it’s too soon now.

Tv Ratings : US Genre Shows

3 Dec

It may be officially Christmas season, but the TV action isn’t ever going to completely die down. Several of our genre shows have turned out the lights for the year to take a holiday break, but a few more will keep pushing right on through December, so don’t ignore that TV schedule.

This week saw The Walking Dead bow out of 2011 with a strong midseason finale, Terra Nova slump at the start of the holiday week and Sanctuary and The Clone Wars soldier through Black Friday with ratings that weren’t too shabby in the end.

Check out the chart above and the analysis below to compare the Live + Same numbers on your favorite shows.

MONDAY

Terra Nova (FOX)
6.5 million viewers/2.1/6 share

The kickoff of the holiday season dealt a hefty blow to Terra Nova Monday. Though it held on to its share, the show lost two tenths of a point to its rating and suffered its lowest viewership ever, almost 100,000 viewers lower than its Halloween night audience. You can blame Thanksgiving travel for some of it, but you might also blame whoever decided it was a good idea to keep this show running through the holiday season rather than give it a break.

WEDNESDAY

American Horror Story (FX)
2.81 million viewers/1.6

Night-before-Thanksgiving fatigue did very little to dampen the party they’re having over at FX for the continued success of American Horror Story. The slow took a slight loss—two tenths of a point and about 200,000 viewers—but still held on to the top spot in the cable ratings for Wednesday night, easily beating the nearest contender (a syndicated Family Guy episode on Adult Swim since South Park was off this week) by a full half point.

THURSDAY

The Big Bang Theory (CBS) – REPEAT
The Big Bang Theory isn’t quite done with its 2011 run (a new episode hits on Dec. 8), but it did take the night off in honor of Thanksgiving. And why not? It’s the highest-rated Thursday night show, and that shows no signs of changing.

Person of Interest (CBS) – REPEAT
Another show that took Thanksgiving off, Person of Interest, is still enjoying a strong first season, with more than 11 million viewers per episode. It will return Dec. 8 to get a little more story in before Christmas.

The Vampire Diaries (CW) – REPEAT
The Vampire Diaries is done for 2011, just as it was really getting going. We’ll see if it can hold on to its streak of 3 million plus viewership episodes when it comes back in the New Year.

The Secret Circle (CW) – REPEAT
The Secret Circle is also done until January. Maybe when they return next year they’ll catch more luck when it comes to retaining more of Vampire Diaries’ audience.

FRIDAY

A Gifted Man (CBS) – OFF
A Gifted Man took Black Friday off this week. It’ll return Dec. 2 with a new episode, and the conundrum of this show will likely continue. It’s got a fair number of viewers, as does all of the CBS Friday night lineup, but its 18-49 rating continues to be lower than its network mates. If the network bigwigs don’t think the ad buys for its older audience are worth it, this show could be that odd breed of canceled program that lots of people were watching, just not the right people.

Chuck (NBC) – OFF
While CBS gave its shows a break to show Christmas specials, NBC decided to run a Friday night movie in place of its regular programming (National Treasure: Book of Secrets, in case you were curious). That means Chuck got a week off, but there’s not much analysis to do for this show anyway. It’s playing its curtain call for its loyal fans, and soon it will take its final bow.

Fringe (FOX) – OFF
FOX also opted for a Friday night movie for the holiday weekend (they picked Iron Man), but Fringe was done for the year anyway. When it comes back in January it’ll try to keep its head over that 3 million viewer mark, and possibly pick up more. If it can’t, it’s in trouble.

Grimm (NBC) – OFF
Grimm was also off this week, but it’ll be back Dec. 8 in its new Thursday night timeslot. With any luck, placing it on a bigger TV night will mean more viewers for the slipping new fantasy drama. Then again, NBC’s Thursday night bread and butter has been its comedies ever since ER went off the air, so it might just throw some people off.

Supernatural (CW) – OFF
The CW also pushed its Thursday shows aside for Christmas specials this week, but Supernatural will be back for its midseason finale Dec. 2. With any luck they won’t suffer the same dismal numbers as their Nov. 18 episode, but this time of year it’s tough to tell what anyone will tune in to.

Clone Wars (TOON)
1.57 million viewers/0.5

Clone Wars braved Black Friday TV night and managed to hold on to its rating while losing only a few viewers. It’s almost done for the year, but this show could stand to gain a few viewers at this point. It’s been unpredictable for too long.

Sanctuary (Syfy)
1.1 million viewers/0.4

Another less than stellar week for Sanctuary, but a week that’s not so bad when you consider that the episode aired on Black Friday. This show will keep on trucking right through December. Let’s hope the holiday doesn’t hurt it too much.

SUNDAY

The Walking Dead (AMC)
6.6 million viewers/3.5

It didn’t set any records this time, but The Walking Dead’s midseason finale closed out the show’s 2011 run with the highest viewership in more than a month. As we begin the long wait until the show picks up again next year, AMC’s zombies continue to bring good news … for viewers, anyway.

Once Upon A Time (ABC)
10.66 million viewers/3.4/8 share

Once Upon a Time took the first major slump of its run Sunday night after a return from a one-week break, but it still easily held the top spot among Sunday night scripted shows. Chalk some of this up to simple holiday travel fatigue, but we’ll see if the dip continues into next week.

source:blastr.com

‘The Walking Dead’ top-rated cable drama

30 Nov


© AMC

The Walking Dead has been named as Sunday’s top-rated cable drama for adults aged between 18 and 49.

The final episode of the first half of the AMC show’s second season attracted 6.6 million viewers with its first showing at the weekend. It also scored a 4.5 adults 18-49 demographic rating.

‘Pretty Much Dead Already’ proved more popular than the final episode of the first season, which was watched by just over 6 million. The mid-season finale was also viewed by a bigger audience than any other episode in the series, aside from the opener.

Meanwhile, the season premiere of Kourtney & Kim Take New York attracted 3.1 million viewers (2.3) for E!, which was higher than last year’s series debut. The season two premiere of After Lately brought in 1.2m at 11pm, a series high.

Walking Dead executive Robert Kirkman has promised “crazy new stuff” for the second half of season two. The Image Comics writer said that new characters are likely to be introduced in the next episode, as well as “tremendous amounts of conflict”.

The zombie drama was picked up for a third run in October. Kirkman previously announced that season three is currently in the planning stages.

The Walking Dead returns to AMC on February 12, 2012.

Genre Shows Ratings and Graph showing viewing figures !

10 Nov

Walking Dead ratings up, Terra Nova down and 13 other genre shows

How’s your favorite show doing as we enter the home stretch of the fall? This week, Terra Nova continued to decline, Grimm lost some of its premiere audience, The Vampire Diaries got a surprising spike, and The Walking Dead remained on top of Sunday night cable.

Check out our chart and the analysis below for all the details on how your favorite shows fared in Live + Same Day ratings.

MONDAY

Terra Nova (FOX)
6.59 million viewers/2.1/6 share

You can chalk some of it up to loyal viewers taking time to trick or treat with their kids, but it’s still hard to deny Terra Nova is losing ground. Its fifth episode Halloween night was the lowest rated broadcast of the series so far, and it’s now lost nearly 3 million from its premiere crowd back in September. Six and a half million viewers isn’t bad, sure, but when you consider how much it costs to produce, Terra Nova could be in serious trouble.

WEDNESDAY

American Horror Story (FX)
2.74 million viewers/1.6

Here’s a show that keeps going strong. It’s not back up to its premiere numbers (which topped 3 million), but American Horror Story’s fifth episode was still the second most-watched cable program on its night, and it only lost the top slot to South Park by 100,000 viewers.

THURSDAY

The Big Bang Theory (CBS)
15.98 million viewers/5.4/16 share

The Big Bang Theory earned a season high of almost 16 million viewers this week, and easily won its night in viewers, rating and share. There’s not much else to say. This show is just a powerhouse.

Person of Interest (CBS)
11.76 million viewers/2.7/7 share

Though viewers in the 18-49 demo tend to give more attention to its direct competitors (Bones, Grey’s Anatomy and The Office), Person of Interest continues to win its time slot in terms of total viewers. This week it picked up 100,000 more from last week, and though it’s not back up to its early season numbers (which topped 13 million at the premiere), it was still the number four most-watched show on the night, and the only shows watched more were its CBS brethren.

The Vampire Diaries (CW)
3.51 million viewers/1.6/5 share

More good news for The Vampire Diaries. Last week it earned season high numbers, and this week it topped those, gaining another tenth of a ratings point and another share point. It also managed to beat a major network show, Charlie’s Angels, in its time slot.

The Secret Circle (CW)
2.26 million viewers/0.9/2 share

The Secret Circle is holding steady at just under one whole ratings point and just over two million viewers a week. Because we’re talking about the CW, it’s sort of hard to tell if that’s enough. The show is still pulling in its key demo viewers (young women), but it’s losing more than a million viewers from its lead-in show, The Vampire Diaries. In the end, it’ll just be a question of whether or not this show is worth keeping around for 2 million viewers.

FRIDAY

A Gifted Man (CBS)
8.55 million viewers/1.2/4 share

The ghostly medical drama returned from an off week with a little bit of a slump, dropping one tenth of a ratings point and one share point for its sixth episode. But in terms of total viewers it still crushed every other show in its time slot, and the only shows watched more on Friday nights are the shows that follow it on CBS.

Chuck (NBC)
3.10 million viewers/0.9/3 share

It was a bad week for Chuck. It seemed like the World Series got in the way of higher premiere numbers, but it turns out the numbers are even smaller this week. The show lost three hundred thousand viewers and one tenths of a ratings point in the second week of its final season, but held on to its share. Chuck has nothing to lose at this point, but it’s still bad news for the perennially struggling NBC.

Fringe (FOX)
3.21 million viewers/1.3/4 share

After two weeks off, Fringe returned and actually gained a tenth of a ratings point for its fifth episode of the season. It’s not posting incredible numbers, but at least it’s showing signs of being consistent.

Grimm (NBC)
6.01 million viewers/1.8/6 share

Last week the big news was that Grimm had strong numbers in spite of the World Series finale, but having that game out of the way hasn’t done it any favors. It actually lost about half a million viewers and three tenths of a ratings point in its second week. It’s still the highest-rated show of its time slot (though not the most-viewed), but it remains to be seen how many of those six million viewers will keep holding on.

Supernatural (CW)
1.84 million viewers/0.8/2 share

In its seventh week of the season Supernatural finally caught a numbers spike, taking on 100,000 more viewers than last week and hitting an 0.8 rating for the first time since its season premiere. It’s not much, but it’s a good sign for a show that hasn’t seen a lot of good signs so far this year.

Clone Wars (TOON)
1.56 million viewers/0.3

Clone Wars lost 200,000 from last week’s viewership, but that’s not the problem. The fact that it lost two tenths of a ratings point might be a problem. This show has that built-in Star Wars power, sure, but a slip like that isn’t something you can just ignore.

Sanctuary (Syfy)
1.25 million viewers/0.4

Sanctuary bounced back a little this week, gaining a tenth of a ratings point and about 50,000 more viewers. It’s not a massive leap, but it’s a move in the right direction. Let’s just hope this show can start keeping its numbers stable as we head into November.

SUNDAY

The Walking Dead (AMC)
6.29 million viewers/3.4

AMC’s zombies bounced back a little in their fourth week of the season, picking up three tenths of a ratings point from their third week. The show isn’t back up to the more than 7 million viewers of its season premiere, but it doesn’t have to be, because nothing else on Sunday night cable can touch it.

Once Upon A Time (ABC)
11.45 million viewers/3.8/9 share

Once Upon A Time continues to hold the crown of most-watched scripted broadcast show on Sunday nights through its third week, despite losing one tenth of a point and two hundred thousand viewers. The show’s numbers haven’t fully stabilized yet, and we have to see what November sweeps will bring, but ABC already gave this a full season order, and the numbers continue to look promising.

Source:Blastr.com

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